MEMOIR OF BERNARDIN DE ST. PIERRE
Love of Nature, that strong feeling of enthusiasm which leads to profound admiration of the whole works of creation, belongs, it may be presumed, to a certain peculiarity of organization, and has, no doubt, existed in different individuals from the beginning of the world. The old poets and philosophers, romance writers, and troubadours, had all looked upon Nature with observing and admiring eyes. They have most of them given incidentally charming pictures of spring, of the setting sun, of particular spots, and of favourite flowers.
There are few writers of note, of any country, or of any age, from whom quotations might not be made in proof of the love with which they regarded Nature. And this remark applies as much to religious and philosophic writers as to poets,—equally to Plato, St. Francois de Sales, Bacon, and Fenelon, as to Shakespeare, Racine, Calderon, or Burns; for from no really philosophic or religious doctrine can the love of the works of Nature be excluded.
But before the days of Jean Jacques Rousseau, Buffon, and Bernardin de St. Pierre, this love of Nature had not been expressed in all its intensity. Until their day, it had not been written on exclusively. The lovers of Nature were not, till then, as they may perhaps since be considered, a sect apart. Though perfectly sincere in all the adorations they offered, they were less entirely, and certainly less diligently and constantly, her adorers.
It is the great praise of Bernardin de St. Pierre, that coming immediately after Rousseau and Buffon, and being one of the most proficient writers of the same school, he was in no degree their imitator, but perfectly original and new. He intuitively perceived the immensity of the subject he intended to explore, and has told us that no day of his life passed without his collecting some valuable materials for his writings. In the divine works of Nature, he diligently sought to discover her laws. It was his early intention not to begin to write until he had ceased to observe; but he found observation endless, and that he was “like a child who with a shell digs a hole in the sand to receive the waters of the ocean.” He elsewhere humbly says, that not only the general history of Nature, but even that of the smallest plant, was far beyond his ability. Before, however, speaking further of him as an author, it will be necessary to recapitulate the chief events of his life.
HENRI-JACQUES BERNARDIN DE ST. PIERRE, was born at Havre in 1737. He always considered himself descended from that Eustache de St. Pierre, who is said by Froissart, (and I believe by Froissart only), to have so generously offered himself as a victim to appease the wrath of Edward the Third against Calais. He, with his companions in virtue, it is also said, was saved by the intercession of Queen Philippa. In one of his smaller works, Bernardin asserts this descent, and it was certainly one of which he might be proud. Many anecdotes are related of his childhood, indicative of the youthful author,—of his strong love of Nature, and his humanity to animals.
That “the child is the father of the man,” has been seldom more strongly illustrated. There is a story of a cat, which, when related by him many years afterwards to Rousseau, caused that philosopher to shed tears. At eight years of age, he took the greatest pleasure in the regular culture of his garden; and possibly then stored up some of the ideas which afterwards appeared in the “Fraisier.” His sympathy with all living things was extreme.
In “Paul and Virginia,” he praises, with evident satisfaction, their meal of milk and eggs, which had not cost any animal its life. It has been remarked, and possibly with truth, that every tenderly disposed heart, deeply imbued with a love of Nature, is at times somewhat Braminical. St. Pierre’s certainly was.
When quite young, he advanced with a clenched fist towards a carter who was ill-treating a horse. And when taken for the first time, by his father, to Rouen, having the towers of the cathedral pointed out to him, he exclaimed, “My God! how high they fly.” Every one present naturally laughed. Bernardin had only noticed the flight of some swallows who had built their nests there. He thus early revealed those instincts which afterwards became the guidance of his life: the strength of which possibly occasioned his too great indifference to all monuments of art. The love of study and of solitude were also characteristics of his childhood. His temper is said to have been moody, impetuous, and intractable. Whether this faulty temper may not have been produced or rendered worse by mismanagement, cannot not be ascertained. It, undoubtedly became afterwards, to St. Pierre a fruitful source of misfortune and of woe.
The reading of voyages was with him, even in childhood, almost a passion. At twelve years of age, his whole soul was occupied by Robinson Crusoe and his island. His romantic love of adventure seeming to his parents to announce a predilection in favour of the sea, he was sent by them with one of his uncles to Martinique. But St. Pierre had not sufficiently practised the virtue of obedience to submit, as was necessary, to the discipline of a ship. He was afterwards placed with the Jesuits at Caen, with whom he made immense progress in his studies. But, it is to be feared, he did not conform too well to the regulations of the college, for he conceived, from that time, the greatest detestation for places of public education. And this aversion he has frequently testified in his writings. While devoted to his books of travels, he in turn anticipated being a Jesuit, a missionary or a martyr; but his family at length succeeded in establishing him at Rouen, where he completed his studies with brilliant success, in 1757. He soon after obtained a commission as an engineer, with a salary of one hundred louis. In this capacity he was sent (1760) to Dusseldorf, under the command of Count St. Germain. This was a career in which he might have acquired both honour and fortune; but, most unhappily for St. Pierre, he looked upon the useful and necessary etiquettes of life as so many unworthy prejudices. Instead of conforming to them, he sought to trample on them. In addition, he evinced some disposition to rebel against his commander, and was unsocial with his equals. It is not, therefore, to be wondered at, that at this unfortunate period of his existence, he made himself enemies; or that, notwithstanding his great talents, or the coolness he had exhibited in moments of danger, he should have been sent back to France. Unwelcome, under these circumstances, to his family, he was ill received by all.
It is a lesson yet to be learned, that genius gives no charter for the indulgence of error,—a truth yet to be remembered, that only a small portion of the world will look with leniency on the failings of the highly-gifted; and, that from themselves, the consequences of their own actions can never be averted. It is yet, alas! to be added to the convictions of the ardent in mind, that no degree of excellence in science or literature, not even the immortality of a name can exempt its possessor from obedience to moral discipline; or give him happiness, unless “temper’s image” be stamped on his daily words and actions. St. Pierre’s life was sadly embittered by his own conduct. The adventurous life he led after his return from Dusseldorf, some of the circumstances of which exhibited him in an unfavourable light to others, tended, perhaps, to tinge his imagination with that wild and tender melancholy so prevalent in his writings. A prize in the lottery had just doubled his very slender means of existence, when he obtained the appointment of geographical engineer, and was sent to Malta. The Knights of the Order were at this time expecting to be attacked by the Turks. Having already been in the service, it was singular that St. Pierre should have had the imprudence to sail without his commission. He thus subjected himself to a thousand disagreeables, for the officers would not recognize him as one of themselves. The effects of their neglect on his mind were tremendous; his reason for a time seemed almost disturbed by the mortifications he suffered. After receiving an insufficient indemnity for the expenses of his voyage, St. Pierre returned to France, there to endure fresh misfortunes.
Not being able to obtain any assistance from the ministry or his family, he resolved on giving lessons in the mathematics. But St. Pierre was less adapted than most others for succeeding in the apparently easy, but really ingenious and difficult, art of teaching. When education is better understood, it will be more generally acknowledged, that, to impart instruction with success, a teacher must possess deeper intelligence than is implied by the profoundest skill in any one branch of science or of art. All minds, even to the youngest, require, while being taught, the utmost compliance and consideration; and these qualities can scarcely be properly exercised without a true knowledge of the human heart, united to much practical patience. St. Pierre, at this period of his life, certainly did not possess them. It is probable that Rousseau, when he attempted in his youth to give lessons in music, not knowing any thing whatever of music, was scarcely less fitted for the task of instruction, than St. Pierre with all his mathematical knowledge. The pressure of poverty drove him to Holland. He was well received at Amsterdam, by a French refugee named Mustel, who edited a popular journal there, and who procured him employment, with handsome remuneration. St. Pierre did not, however, remain long satisfied with this quiet mode of existence. Allured by the encouraging reception given by Catherine II. to foreigners, he set out for St. Petersburg. Here, until he obtained the protection of the Marechal de Munich, and the friendship of Duval, he had again to contend with poverty. The latter generously opened to him his purse and by the Marechal he was introduced to Villebois, the Grand Master of Artillery, and by him presented to the Empress. St. Pierre was so handsome, that by some of his friends it was supposed, perhaps, too, hoped, that he would supersede Orloff in the favor of Catherine. But more honourable illusions, though they were but illusions, occupied his own mind. He neither sought nor wished to captivate the Empress. His ambition was to establish a republic on the shores of the lake Aral, of which in imitation of Plato or Rousseau, he was to be the legislator. Pre-occupied with the reformation of despotism, he did not sufficiently look into his own heart, or seek to avoid a repetition of the same errors that had already changed friends into enemies, and been such a terrible barrier to his success in life. His mind was already morbid, and in fancying that others did not understand him, he forgot that he did not understand others. The Empress, with the rank of captain, bestowed on him a grant of fifteen hundred francs; but when General Dubosquet proposed to take him with him to examine the military position of Finland, his only anxiety seemed to be to return to France: still he went to Finland; and his own notes of his occupations and experiments on that expedition prove, that he gave himself up in all diligence to considerations of attack and defence. He, who loved Nature so intently, seems only to have seen in the extensive and majestic forests of the north, a theatre of war. In this instance, he appears to have stifled every emotion of admiration, and to have beheld, alike, cities and countries in his character of military surveyor.
On his return to St. Petersburg, he found his protector Villebois, disgraced. St. Pierre then resolved on espousing the cause of the Poles. He went into Poland with a high reputation,—that of having refused the favours of despotism, to aid the cause of liberty. But it was his private life, rather than his public career, that was affected by his residence in Poland. The Princess Mary fell in love with him, and, forgetful of all considerations, quitted her family to reside with him. Yielding, however, at length, to the entreaties of her mother, she returned to her home. St. Pierre, filled with regret, resorted to Vienna; but, unable to support the sadness which oppressed him, and imagining that sadness to be shared by the Princess, he soon went back to Poland. His return was still more sad than his departure; for he found himself regarded by her who had once loved him, as an intruder. It is to this attachment he alludes so touchingly in one of his letters. “Adieu! friends dearer than the treasures of India! Adieu! forests of the North, that I shall never see again!—tender friendship, and the still dearer sentiment which surpassed it!—days of intoxication and of happiness adeiu! adieu! We live but for a day, to die during a whole life!”
This letter appears to one of St. Pierre’s most partial biographers, as if steeped in tears; and he speaks of his romantic and unfortunate adventure in Poland, as the ideal of a poet’s love.
“To be,” says M. Sainte-Beuve, “a great poet, and loved before he had thought of glory! To exhale the first perfume of a soul of genius, believing himself only a lover! To reveal himself, for the first time, entirely, but in mystery!”
In his enthusiasm, M. Sainte-Beuve loses sight of the melancholy sequel, which must have left so sad a remembrance in St. Pierre’s own mind. His suffering, from this circumstance, may perhaps have conduced to his making Virginia so good and true, and so incapable of giving pain.
In 1766, he returned to Havre; but his relations were by this time dead or dispersed, and after six years of exile, he found himself once more in his own country, without employment and destitute of pecuniary resources.
The Baron de Breteuil at length obtained for him a commission as Engineer to the Isle of France, whence he returned in 1771. In this interval, his heart and imagination doubtless received the germs of his immortal works. Many of the events, indeed, of the “Voyage a l’Ile de France,” are to be found modified by imagined circumstances in “Paul and Virginia.” He returned to Paris poor in purse, but rich in observation and mental resources, and resolved to devote himself to literature. By the Baron de Breteuil he was recommended to D’Alembert, who procured a publisher for his “Voyage,” and also introduced him to Mlle. de l’Espinasse. But no one, in spite of his great beauty, was so ill calculated to shine or please in society as St. Pierre. His manners were timid and embarrassed, and, unless to those with whom he was very intimate, he scarcely appeared intelligent.
It is sad to think, that misunderstanding should prevail to such an extent, and heart so seldom really speak to heart, in the intercourse of the world, that the most humane may appear cruel, and the sympathizing indifferent. Judging of Mlle. de l’Espinasse from her letters, and the testimony of her contemporaries, it seems quite impossible that she could have given pain to any one, more particularly to a man possessing St. Pierre’s extraordinary talent and profound sensibility. Both she and D’Alembert were capable of appreciating him; but the society in which they moved laughed at his timidity, and the tone of raillery in which they often indulged was not understood by him. It is certain that he withdrew from their circle with wounded and mortified feelings, and, in spite of an explanatory letter from D’Alembert, did not return to it. The inflictors of all this pain, in the meantime, were possibly as unconscious of the meaning attached to their words, as were the birds of old of the augury drawn from their flight.
St. Pierre, in his “Preambule de l’Arcadie,” has pathetically and eloquently described the deplorable state of his health and feelings, after frequent humiliating disputes and disappointments had driven him from society; or rather, when, like Rousseau, he was “self-banished” from it.
“I was struck,” he says, “with an extraordinary malady. Streams of fire, like lightning, flashed before my eyes; every object appeared to me double, or in motion: like OEdipus, I saw two suns. . . In the finest day of summer, I could not cross the Seine in a boat without experiencing intolerable anxiety. If, in a public garden, I merely passed by a piece of water, I suffered from spasms and a feeling of horror. I could not cross a garden in which many people were collected: if they looked at me, I immediately imagined they were speaking ill of me.” It was during this state of suffering, that he devoted himself with ardour to collecting and making use of materials for that work which was to give glory to his name.
It was only by perseverance, and disregarding many rough and discouraging receptions, that he succeeded in making acquaintance with Rousseau, whom he so much resembled. St. Pierre devoted himself to his society with enthusiasm, visiting him frequently and constantly, till Rousseau departed for Ermenonville. It is not unworthy of remark, that both these men, such enthusiastic admirers of Nature and the natural in all things, should have possessed factitious rather than practical virtue, and a wisdom wholly unfitted for the world. St. Pierre asked Rousseau, in one of their frequent rambles, if, in delineating St. Preux, he had not intended to represent himself. “No,” replied Rousseau, “St. Preux is not what I have been, but what I wished to be.” St. Pierre would most likely have given the same answer, had a similar question been put to him with regard to the Colonel in “Paul and Virginia.” This at least, appears the sort of old age he loved to contemplate, and wished to realize.
For six years, he worked at his “Etudes,” and with some difficulty found a publisher for them. M. Didot, a celebrated typographer, whose daughter St. Pierre afterwards married, consented to print a manuscript which had been declined by many others. He was well rewarded for the undertaking. The success of the “Etudes de la Nature” surpassed the most sanguine expectation, even of the author. Four years after its publication, St. Pierre gave to the world “Paul and Virginia,” which had for some time been lying in his portfolio. He had tried its effect, in manuscript, on persons of different characters and pursuits. They had given it no applause; but all had shed tears at its perusal: and perhaps, few works of a decidedly romantic character have ever been so generally read, or so much approved. Among the great names whose admiration of it is on record, may be mentioned Napoleon and Humboldt.
In 1789, he published “Les Veoeux d’un Solitaire,” and “La Suite des Voeux.” By the Moniteur of the day, these works were compared to the celebrated pamphlet of Sieyes,—”Qu’est-ce que le tiers etat?” which then absorbed all the public favour. In 1791, “La Chaumiere Indienne” was published: and in the following year, about thirteen days before the celebrated 10th of August, Louis XVI. appointed St. Pierre superintendant of the “Jardin des Plantes.” Soon afterwards, the King, on seeing him, complimented him on his writings and told him he was happy to have found a worthy successor to Buffon.
Although deficient in the exact knowledge of the sciences, and knowing little of the world, St. Pierre was, by his simplicity, and the retirement in which he lived, well suited, at that epoch, to the situation. About this time, and when in his fifty-seventh year, he married Mlle. Didot.
In 1795, he became a member of the French Academy, and, as was just, after his acceptance of this honour, he wrote no more against literary societies. On the suppression of his place, he retired to Essonne. It is delightful to follow him there, and to contemplate his quiet existence. His days flowed on peaceably, occupied in the publication of “Les Harmonies de la Nature,” the republication of his earlier works, and the composition of some lesser pieces. He himself affectingly regrets an interruption to these occupations. On being appointed Instructor to the Normal School, he says, “I am obliged to hang my harp on the willows of my river, and to accept an employment useful to my family and my country. I am afflicted at having to suspend an occupation which has given me so much happiness.”
He enjoyed in his old age, a degree of opulence, which, as much as glory, had perhaps been the object of his ambition. In any case, it is gratifying to reflect, that after a life so full of chance and change, he was, in his latter years, surrounded by much that should accompany old age. His day of storms and tempests was closed by an evening of repose and beauty.
Amid many other blessings, the elasticity of his mind was preserved to the last. He died at Eragny sur l’Oise, on the 21st of January, 1814. The stirring events which then occupied France, or rather the whole world, caused his death to be little noticed at the time. The Academy did not, however, neglect to give him the honour due to its members. Mons. Parseval Grand Maison pronounced a deserved eulogium on his talents, and Mons. Aignan, also, the customary tribute, taking his seat as his successor.
Having himself contracted the habit of confiding his griefs and sorrows to the public, the sanctuary of his private life was open alike to the discussion of friends and enemies. The biographer, who wishes to be exact, and yet set down nought in malice, is forced to the contemplation of his errors. The secret of many of these, as well as of his miseries, seems revealed by himself in this sentence: “I experience more pain from a single thorn, than pleasure from a thousand roses.” And elsewhere, “The best society seems to me bad, if I find in it one troublesome, wicked, slanderous, envious, or perfidious person.” Now, taking into consideration that St. Pierre sometimes imagined persons who were really good, to be deserving of these strong and very contumacious epithets, it would have been difficult indeed to find a society in which he could have been happy. He was, therefore, wise, in seeking retirement, and indulging in solitude. His mistakes,—for they were mistakes,—arose from a too quick perception of evil, united to an exquisite and diffuse sensibility. When he felt wounded by a thorn, he forgot the beauty and perfume of the rose to which it belonged, and from which perhaps it could not be separated. And he was exposed (as often happens) to the very description of trials that were least in harmony with his defects. Few dispositions could have run a career like his, and have remained unscathed. But one less tender than his own would have been less soured by it. For many years, he bore about with him the consciousness of unacknowledged talent. The world cannot be blamed for not appreciating that which had never been revealed. But we know not what the jostling and elbowing of that world, in the meantime, may have been to him—how often he may have felt himself unworthily treated—or how far that treatment may have preyed upon and corroded his heart. Who shall say that with this consciousness there did not mingle a quick and instinctive perception of the hidden motives of action,—that he did not sometimes detect, where others might have been blind, the under-shuffling of the hands, in the by-play of the world?
Through all his writings, and throughout his correspondence, there are beautiful proofs of the tenderness of his feelings,—the most essential quality, perhaps, in any writer. It is at least, one that if not possessed, can never be attained. The familiarity of his imagination with natural objects, when he was living far removed from them, is remarkable, and often affecting.
“I have arranged,” he says to Mr. Henin, his friend and patron, “very interesting materials, but it is only with the light of Heaven over me that I can recover my strength. Obtain for me a rabbit’s hole, in which I may pass the summer in the country.” And again, “With the first violet, I shall come to see you.” It is soothing to find, in passages like these, such pleasing and convincing evidence that
"Nature never did betray, The heart that loved her."
In the noise of a great city, in the midst of annoyances of many kinds these images, impressed with quietness and beauty, came back to the mind of St. Pierre, to cheer and animate him.
In alluding to his miseries, it is but fair to quote a passage from his “Voyage,” which reveals his fond remembrance of his native land. “I should ever prefer my own country to every other,” he says, “not because it was more beautiful, but because I was brought up in it. Happy he, who sees again the places where all was loved, and all was lovely!—the meadows in which he played, and the orchard that he robbed!”
He returned to this country, so fondly loved and deeply cherished in absence, to experience only trouble and difficulty. Away from it, he had yearned to behold it,—to fold it, as it were, once more to his bosom. He returned to feel as if neglected by it, and all his rapturous emotions were changed to bitterness and gall. His hopes had proved delusions—his expectations, mockeries. Oh! who but must look with charity and mercy on all discontent and irritation consequent on such a depth of disappointment: on what must have then appeared to him such unmitigable woe. Under the influence of these saddened feelings, his thoughts flew back to the island he had left, to place all beauty, as well as all happiness, there!
One great proof that he did beautify the distant, may be found in the contrast of some of the descriptions in the “Voyage a l’Ile de France,” and those in “Paul and Virginia.” That spot, which when peopled by the cherished creatures of his imagination, he described as an enchanting and delightful Eden, he had previously spoken of as a “rugged country covered with rocks,”—”a land of Cyclops blackened by fire.” Truth, probably, lies between the two representations; the sadness of exile having darkened the one, and the exuberance of his imagination embellished the other.
St. Pierre’s merit as an author has been too long and too universally acknowledged, to make it needful that it should be dwelt on here. A careful review of the circumstances of his life induces the belief, that his writings grew (if it may be permitted so to speak) out of his life. In his most imaginative passages, to whatever height his fancy soared, the starting point seems ever from a fact. The past appears to have been always spread out before him when he wrote, like a beautiful landscape, on which his eye rested with complacency, and from which his mind transferred and idealized some objects, without a servile imitation of any. When at Berlin, he had had it in his power to marry Virginia Tabenheim; and in Russia, Mlle. de la Tour, the niece of General Dubosquet, would have accepted his hand. He was too poor to marry either. A grateful recollection caused him to bestow the names of the two on his most beloved creation. Paul was the name of a friar, with whom he had associated in his childhood, and whose life he wished to imitate. How little had the owners of these names anticipated that they were to become the baptismal appellations of half a generation in France, and to be re-echoed through the world to the end of time!
It was St. Pierre who first discovered the poverty of language with regard to picturesque descriptions. In his earliest work, the often-quoted “Voyages,” he complains, that the terms for describing nature are not yet invented. “Endeavour,” he says, “to describe a mountain in such a manner that it may be recognised. When you have spoken of its base, its sides, its summit, you will have said all! But what variety there is to be found in those swelling, lengthened, flattened, or cavernous forms! It is only by periphrasis that all this can be expressed. The same difficulty exists for plains and valleys. But if you have a palace to describe, there is no longer any difficulty. Every moulding has its appropriate name.”
It was St. Pierre’s glory, in some degree, to triumph over this dearth of expression. Few authors ever introduced more new terms into descriptive writing: yet are his innovations ever chastened, and in good taste. His style, in its elegant simplicity, is, indeed, perfection. It is at once sonorous and sweet, and always in harmony with the sentiment he would express, or the subject he would discuss. Chenier might well arm himself with “Paul and Virginia,” and the “Chaumiere Indienne,” in opposition to those writers, who, as he said, made prose unnatural, by seeking to elevate it into verse.
The “Etudes de la Nature” embraced a thousand different subjects, and contained some new ideas on all. It is to the honour of human nature, that after the uptearing of so many sacred opinions, a production like this, revealing the chain of connection through the works of Creation, and the Creator in his works, should have been hailed, as it was, with enthusiasm.
His motto, from his favourite poet Virgil, “Taught by calamity, I pity the unhappy,” won for him, perhaps many readers. And in its touching illusions, the unhappy may have found suspension from the realities of life, as well as encouragement to support its trials. For, throughout, it infuses admiration of the arrangements of Providence, and a desire for virtue. More than one modern poet may be supposed to have drawn a portion of his inspiration, from the “Etudes.” As a work of science it contains many errors. These, particularly his theory of the tides,(*) St. Pierre maintained to the last, and so eloquently, that it was said at the time, to be impossible to unite less reason with more logic.
(*) Occasioned, according to St. Pierre, by the melting of the ice at the Poles.
In “Paul and Virginia,” he was supremely fortunate in his subject. It was an entirely new creation, uninspired by any previous work; but which gave birth to many others, having furnished the plot to six theatrical pieces. It was a subject to which the author could bring all his excellences as a writer and a man, while his deficiencies and defects were necessarily excluded. In no manner could he incorporate politics, science, or misapprehension of persons, while his sensibility, morals, and wonderful talent for description, were in perfect accordance with, and ornaments to it. Lemontey and Sainte-Beuve both consider success to be inseparable from the happy selection of a story so entirely in harmony with the character of the author; and that the most successful writers might envy him so fortunate a choice. Buonaparte was in the habit of saying, whenever he saw St. Pierre, “M. Bernardin, when do you mean to give us more Pauls and Virginias, and Indian Cottages? You ought to give us some every six months.”
The “Indian Cottage,” if not quite equal in interest to “Paul and Virginia,” is still a charming production, and does great honour to the genius of its author. It abounds in antique and Eastern gems of thought. Striking and excellent comparisons are scattered through its pages; and it is delightful to reflect, that the following beautiful and solemn answer of the Paria was, with St. Pierre, the results of his own experience:—”Misfortune resembles the Black Mountain of Bember, situated at the extremity of the burning kingdom of Lahore; while you are climbing it, you only see before you barren rocks; but when you have reached its summit, you see heaven above your head, and at your feet the kingdom of Cachemere.”
When this passage was written, the rugged, and sterile rock had been climbed by its gifted author. He had reached the summit,—his genius had been rewarded, and he himself saw the heaven he wished to point out to others.
[For the facts contained in this brief Memoir, I am indebted to St. Pierre's own works, to the "Biographie Universelle," to the "Essai sur la Vie et les Ouvrages de Bernardin de St. Pierre," by M. Aime Martin, and to the very excellent and interesting "Notice Historique et Litteraire," of M. Sainte- Beauve.]
Categories: The Book Lover