A book of golden deeds by Charlotte M. Yonge

A book of golden deeds

WHAT IS A GOLDEN DEED?

We all of us enjoy a story of battle and adventure. Some of us delight in the anxiety and excitement with which we watch the various strange predicaments, hairbreadth escapes, and ingenious contrivances that are presented to us; and the mere imaginary dread of the dangers thus depicted, stirs our feelings and makes us feel eager and full of suspense.

This taste, though it is the first step above the dullness that cannot be interested in anything beyond its own immediate world, nor care for what it neither sees, touches, tastes, nor puts to any present use, is still the lowest form that such a liking can take. It may be no better than a love of reading about murders in the newspaper, just for the sake of a sort of startled sensation; and it is a taste that becomes unwholesome when it absolutely delights in dwelling on horrors and cruelties for their own sake; or upon shifty, cunning, dishonest stratagems and devices. To learn to take interest in what is evil is always mischievous.

But there is an element in many of such scenes of woe and violence that may well account for our interest in them. It is that which makes the eye gleam and the heart throb, and bears us through the details of suffering, bloodshed, and even barbarity—feeling our spirits moved and elevated by contemplating the courage and endurance that they have called forth. Nay, such is the charm of brilliant valor, that we often are tempted to forget the injustice of the cause that may have called forth the actions that delight us. And this enthusiasm is often united with the utmost tenderness of heart, the very appreciation of suffering only quickening the sense of the heroism that risked the utmost, till the young and ardent learn absolutely to look upon danger as an occasion for evincing the highest qualities.

     'O Life, without thy chequer'd scene
     Of right and wrong, of weal and woe,
     Success and failure, could a ground
     For magnanimity be found?'

The true cause of such enjoyment is perhaps an inherent consciousness that there is nothing so noble as forgetfulness of self. Therefore it is that we are struck by hearing of the exposure of life and limb to the utmost peril, in oblivion, or recklessness of personal safety, in comparison with a higher object.

That object is sometimes unworthy. In the lowest form of courage it is only avoidance of disgrace; but even fear of shame is better than mere love of bodily ease, and from that lowest motive the scale rises to the most noble and precious actions of which human nature is capable—the truly golden and priceless deeds that are the jewels of history, the salt of life.

And it is a chain of Golden Deeds that we seek to lay before our readers; but, ere entering upon them, perhaps we had better clearly understand what it is that to our mind constitutes a Golden Deed.

It is not mere hardihood. There was plenty of hardihood in Pizarro when he led his men through terrible hardships to attack the empire of Peru, but he was actuated by mere greediness for gain, and all the perils he so resolutely endured could not make his courage admirable. It was nothing but insensibility to danger, when set against the wealth and power that he coveted, and to which he sacrificed thousands of helpless Peruvians. Daring for the sake of plunder has been found in every robber, every pirate, and too often in all the lower grade of warriors, from the savage plunderer of a besieged town up to the reckless monarch making war to feed his own ambition.

There is a courage that breaks out in bravado, the exuberance of high spirits, delighting in defying peril for its own sake, not indeed producing deeds which deserve to be called golden, but which, from their heedless grace, their desperation, and absence of all base motives—except perhaps vanity have an undeniable charm about them, even when we doubt the right of exposing a life in mere gaiety of heart.

Such was the gallantry of the Spanish knight who, while Fernando and Isabel lay before the Moorish city of Granada, galloped out of the camp, in full view of besiegers and besieged, and fastened to the gate of the city with his dagger a copy of the Ave Maria. It was a wildly brave action, and yet not without service in showing the dauntless spirit of the Christian army. But the same can hardly be said of the daring shown by the Emperor Maximilian when he displayed himself to the citizens of Ulm upon the topmost pinnacle of their cathedral spire; or of Alonso de Ojeda, who figured in like manner upon the tower of the Spanish cathedral. The same daring afterwards carried him in the track of Columbus, and there he stained his name with the usual blots of rapacity and cruelty. These deeds, if not tinsel, were little better than gold leaf.

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Categories: French Literature

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